Bach’s famous Bourrée from his first lute suite, better known to guitarists as ‘ Bourrée in E minor’, is an intermediate-level piece often transcribed for classical.

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J. S. Bach – Bourrée in E minor, BWV 996

Just have also a look to the video score there! The Baroque Spirit, Bk 2: Choose where you want to share: These as well as other measures where skips occur in either the melody or bass line imply three part texture.

Creative Commons Zero 1. This is such a well known piece that I think everyone who reads this will know it in some capacity. Follow to get notified when avysk has uploaded new scores.

bpurree July 01, Thanks for sharing on Musescore!!! Shall We Gather at the River. I do think my analysis is accurate and within what would be common practice during this musical period.

Bourrée in E minor – Wikipedia

Creative Commons Attribution-ShareAlike 4. Bach” that has written “aufs Lauten Werck” “for the lute-harpsichord ” in unidentified handwriting. The sound of your a-minor version is interesting, that’s true.


Try again avysk worked hard on this score. But I thought by the way that maintaining quasi two soprano voices should have a surprising effect. From Wikipedia, the free encyclopedia.

Bach Twelve Little Preludes. There also appears to be an echo of this reference in the next fugue, 4. Work Title Suite Alt ernative. Retrieved from ” https: Wouldn’t you perceive the f ‘s in the anacrusis as chord V in 1st inv though? Uploaded on Mar 8, Every altered chord is originally a function of some sort of chromatic voice-leading biurree becomes acceptable to the ear as a struck dissonance over time.

We use cookies on this site to enhance your user experience By clicking any link on this on you are giving your consent for us to set cookies. Performer Pages Martha Goldstein lautenwerck. After spending years harmonically analysing jazz and learning classical guitar before this with little comprehension of harmony, i find this particularly useful.

ChrysalisIslandRepriseFontana. In places like measure 3 counterpoint will then sound better, I think Bach is the acknowledged master of counterpoint and harmony I will use what I thought would be a fairly simple piece to demonstrate the coexistence of these two mlnor principles: The level of harmonic complexity in this little piece is staggering.


I’m going to play the Bouree at a street fair next week as a clarinet and Eb tuba duet; I was trawling the Google for a chord progression for my boy to strum along with us, this gives me a base to work from. Minir Javascript not enabled. To print parts, please upgrade to a Pro account first. By using this site, you agree to the Terms of Use and Privacy Policy. In this case, E minor moving to G major relative major at the cadence of part one, continuing in G major in part two and returning to E minor by the final cadence.

The harmonic rhythm is at the quarter-note level or on every beat as would be common in most Bach chorales.

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